Based in the heart of Bingley, West Yorkshire, Lapwing Films specialises in creating artistic and emotive wedding videos designed to capture the true essence of your special day. Owner and filmmaker James is a passionate storyteller who focuses on the genuine emotions and candid moments that make your wedding uniquely yours. His discreet, natural approach helps you and your guests feel relaxed, allowing him to document the authentic joy of your celebration.
With several years of filmmaking experience, James is dedicated to producing cinematic wedding films you’ll treasure forever. His thoughtful, personalised approach ensures every film is an unforgettable keepsake.
At Lapwing Films, the philosophy is simple: let your wedding day unfold naturally. James works quietly in the background, capturing real interactions and heartfelt emotions as they happen. This approach creates a beautiful film that truly reflects your day.
For a stunning, unique perspective, aerial drone footage can be added to showcase your venue and celebration from above.
Every wedding is different, and Lapwing Films offers flexible services to perfectly capture your celebration. After a consultation to understand your vision, you can expect comprehensive coverage tailored to your needs.
Lapwing Films is a professional wedding videography service committed to documenting your day with artistry and care. James is happy to travel to your wedding location, wherever it may be, delivering a timeless, cinematic keepsake that lets you relive the magic of your wedding day for years to come.
Weddings with ceilidh bands are always great fun. I've attended two with ceilidh bands - by the time the ceilidh starts, the guests have usually had a few and struggle to remember any of the steps! When the guests do get a handle on things though, it always makes for good filming.
Friendly, personal, discreet, unique, adaptable.
That I manage all aspects of the business myself, from the administrative side to the practical side. I feel it gives me a good handle on everything that's happening booking, filming and deadline wise.
Keep photography and videography separate, otherwise you may find that one gives way to the other. I fell victim to this at my own wedding - our photos were great, but the same people were also doing video at the same time and the resulting product was very lacking.
It's always interesting to see what the favours are going to be, whether it's a miniature of Jägermeister, a personalised peg with each guest's name on or a stick on tattoo of the couple!
I have an initial phone/video call with prospective couples to discuss what they're after and to see if we're a match. I then send over my contract for them to look over, ask any questions, or sign if they're happy with it. Then it's a 25% deposit to secure the date.
Following this, there's a second phone call three months before the wedding to talk about the finer details as timings are often sorted by that date. This is accompanied by another 25% deposit.
Finally, four weeks before the date, there's a last phone call to talk about anything else that's popped up in the planning stage. I also take the final 50% deposit at this point, just so couples aren't thinking about wedding admin the day before their wedding when they're undoubtedly thinking about other things!
This is a tricky questions. Though there are bits I capture throughout the day that make me think, 'That's going to look great in the film,' it all comes together in the editing process. Finding clips that flow well together, adding in effective transitions and putting a great piece of music over them can make any clip stand out. For that reason, there isn't really any one example I could give from the weddings I've filmed.
That being said, whenever I go on holiday I always put together a travel film. A few years ago I went to the far north of Norway and managed to capture several time-lapse sequences of the northern lights. The results were breathtaking!
I wouldn't have wanted to direct any of the films I like as I don't think I'd enjoy watching them if I'd have been the director as well!
This is another tricky question and I don't feel there is one answer. It depends on what the couple want - some want dreamy, romantic music whereas others like a more upbeat, folky track. I often have more free rein with the trailers I produce though and, if it fits, I often like to put an epic, building orchestral piece over it to create excitement for the coming films.
As I mentioned above, whenever I go on holiday I make a travel film so my wife and I can look back and relive the memories (even if it is accompanied by feelings of overwhelming nostalgia!) That's how I got into videography - making films with my iPhone and action cameras. I learnt all about the editing process through making these films.
Over time, I upgraded my equipment to include drones, gimbals and professional cameras. Nothing on holiday is scripted, so you've got to be ready to capture something in an instant. It's the same with a wedding day - you've got to always be ready to capture the special little moments that are unplanned but that add in to the final film.